New Release!

Issue 13: Orcas Island, Washington

Contributors: Rhys Balmer, Caroline Buchanan, Peter Fischer, Iris Graville, Colleen James, Jenny Johnston, Isaiah Kimple, Laura Kussman, Sara Leimbach, Jill McCabe Johnson, Hazel McKenzie, Cora Ray, Betty Reynolds, Anika Sanders, Colleen Smith, Evan Wagoner-Lynch and Annie Waugh.

Editors: Ellen Freeman, Laura Kussman, Corbin LaMont and Joal Stein.
Copyeditors: Amy Mae Garrett and Taylor Ross.

“Everybody has their own origin story or personal mythology about what or who got them onto this rock in the sea. Usually this story begins with what I’ve begun to think of as “the ferry feeling." People remember their journey, whether to visit family, attend Camp Orkila, or be a kayak guide. There’s the moment where each person’s kinship to the island began.”

10.75" x 16.5" Cold Offset Press, Full Color.

Printed by Valley Printers.

Archive of Year One

Archive photos by Mikola Accuardi.

Issue 12: Detroit, Michigan

Contributors: Mateo Alden, Jared Berman, Emmy Bright, adrienne maree brown, Halima Cassells, Nandi Comer, Katelyn Durst, Fringe Society, Sally Howell, Razi Jafri, Corbin LaMont, Sarah Lewis, Nadine Marshall, Zoe Minikes, Pastor Barry Randolph, Felix Jordan Rucker, Ellen Rutt and Thing Thing.

“Once: a woman said I
shouldn’t call myself
queer, said, i was
too cool & that was
supposed to be a
compliment, OH,
if she only knew
how odd it can be
to have a body full
of black skin, a belly
filled with want & a
gender that only fits
half of the time &
hands, that sometimes
belong to someone else”

11" x 21.5" Cold Offset Press, Full Color.

Printed by Valley Printers.

Issue 11: Lorane, Oregon

Contributors: Markus Bennett, Joey Emil Blum, Bummers & Gummers, Pat Edwards, Mara Berendt Friedman, Amy Mae Garrett, Corbin LaMont, Keenan Mitchell, Caesy Oney, Jude Pellicer and Karen Pidgeon.

Copyeditors: Jackie Barry, Ellen Freeman and Amy Mae Garrett.

“We believe that knowing how to do things is the essence of life. The more you can do, the less you have to pay for and they less time you have to spend in that rat race.”

10.75" x 13.75" Cold Offset Press, Full Color.

Printed by Valley Printers.

Issue 10: Palouse, Washington

Contributors: Maggie Bakeman, Jackie Barry, Carson Davis Brown, Catherine Cooper, The Echanoves, Tiana Gregg-Holmes, Corbin LaMont, James Saylor Longstreet, Palouse Grain Growers, Inc., Rob Schoepflin, The Snooks and Mary Welcome.

Copyeditor: Amy Mae Garrett.

“we are all looking after one another, all the time, here. it is nice to be made visible from care; all worn in, never worn out. there is room enough in this place for all your rolling feelings.”

8.5" x 11" Poster Cover with Loose Bound Pages, Risograph, Various Ink Color, Various Paper Color.

Printed by Outlet.

Issue 9: The Mississippi Gulf Coast

Contributors: Summer Bat, Corbin LaMont, Bill Myers, Hannah O’Gorman, David Perkes, Tall Architecture, Boyce Upholt, Devin Christian Wade and Jessie Zenor.

Copyeditors: Amy Mae Garrett, Carina Oney and Joal Stein.

“The president was a big tone change for our community. And our community as in the Greenhouse’s community. We do have a big gay population that comes into the greenhouse. We are a gay place. But we are also an ‘everybody place.’ We’re open to everybody.”

5.5" x 17" Risograph, Red Ink, Violet Paper.

Printed by Fruit Salad Club.

Issue 8: Carrizozo, New Mexico

Contributors: Polly Chavez, Suzanne Donazetti, Rick Geary, Corbin LaMont, MoMAZoZo, Aaron Lovejoy, Linda Rodriguez, Iona Leveck aka Gwendolyn Watson, Joshua Wheeler and Paula Wilson.

Copyeditors: Ray Dean, Keenan Mitchell and Joal Stein.

“The magic is people. All these ‘leads’, each one is a person. You can tell me society is rotten and this country is falling apart, but I won’t believe you because there are just too many fucking fabulous people all over.”

11" x 17" Laser, Gray Paper, Full Color.

Printed by American Printing.

Issue 7: Tokyo, Japan

Contributors: Norma Aratani, J.K. Chekpo, Jesse Freeman, Little Funny Face, Alice Grandoit, Ian Lynam, Maya Matsuura, Shuntaro Takeuchi, Alex Thomas and Yellow Yellow.

Editors: Ellen Freeman and Corbin LaMont.
Copyeditors: Keenan Mitchell and Carina Oney.

“It is against this cultural backdrop that we can get a sense of the dawn of the Modern Japanese Woman and the cultural distortion field surrounding her in the form of romanticized and nostalgic images in the media. Nostalgia is not history, agency is not autonomy, and there is no one type of woman—there never was.”

6" x 10" Cold Offset Press, Full Color.

Printed by Valley Printers.

Issue 6: Iowa

Contributors: Iowa Quilt Museum, ISU College of Design, Diane Porter, Faith Reeves, Taylor Ross, Elizabeth Walden, Jordan Weber and Mary Welcome.

Editors: Ellen Freeman, Corbin LaMont, Sarah Lewis and Taylor Ross.

“I’m expanding on the concept of how the body and land are connected. It’s 2018 and we’re still segregated in these communities with no land or space for the body to be activated in any way. It’s controlled by society and you’re only allowed to do these certain things. You see the cooks in this restaurant, and they’re all Mexican. The others’ bodies are always seen in space-time, especially in places like Iowa. If I come to Fairfield, I’m always seen as the other.”

9.75" x 15.5" Broadsheet, Cold Offset Press, Full Color / BW.

Printed by P&P Press.

Issue 5: Tijuana, Mexico

Contributors: Miguel Buenrostro, Fernando Careaga, Saulo Cisneros, Paula Flores, Ingrid Hernandez, Marisol Hurtado, Haydeé Jiménez, Carlos Kiki, Corbin LaMont, Tania Valencia and Fio Zenjim.

Editors: Diego Aguirre, Ellen Freeman, Jack Forinash, Joal Stein and Mary Welcome.

“I draw the connection between how the personal experiences of living in the city, the physical design and use of buildings are influenced and shaped by global political decisions on both sides of the border.”

10.75" x 16.5" Broadsheet, Cold Offset Press, Full Color.

Printed by Valley Printers.

Issue 4: Unincorporated Marin County

Contributors: Alex Bleeker, StuArt Champman, Corbin LaMont, Nicole Lavelle, Ben Livingston, Soozy Mills and Van Waring.

“I have so much reverence for the deep and protected history of this little town that as a newcomer simply going to the grocery store felt both terrifying and thrilling. It’s amazing how time can shift our perspectives so drastically—this place unmistakably feels like home now.”

8.5" x 14" Risograph, Red Ink, Violet Paper.

Printed by Mesa Press.

Issue 3: The Cuyama Valley

Contributors: Joal Stein, Jack Forinash, Bill Ratzke, Harry Curtis, Ryan Flanagan, Matthew Simeone, Julia Warner, Philip Jankoski, Ellen Freeman and Corbin LaMont.

“Some people actively work to change a place for their own self-interest. Others work to change their communities for their own ideas of justice or fairness. Others don’t want a place they think of as just their own to change at all. The inevitable birthing and dying of people creates a generational ebb and flow. Economic and industrial shifts occur rapidly in our modern age. Not everyone wants their places to change, but everyone changes their place.”

10.75" x 12.75" Broadsheet, Cold Offset Press, Full Color.

Printed by Valley Printers.

Issue 2: Mexico City, Mexico

Contributors: Ellen Freeman, Corbin LaMont and Olivia Bojórquez.

“Ever since I moved to Mexico after living in Japan, it’s like I’ve been standing in the center of a Venn diagram comparing the two countries. Truthfully, most of the time they seem much more different than similar, and I expected that a crisis would magnify those distinctions even further. But earthquakes have the same effect on us all. If in our daily lives we notice the earth at all, it’s as a steadfast, supportive presence. In an earthquake, that sense is completely shattered, and we have to become the support for one another in whatever way we can—even if that’s just lying in a circle on our backs in the park in “corpse pose,” feeling the same earth beneath us.”

11" x 17" Risograph, Red Ink, Violet Paper.

Printed by Mesa Press.

Issue 1: Portland, Oregon

Contributors: Christine Dong, Joal Stein, Ellen Freeman,
Rob Lewis and Corbin LaMont.

“There is a connection here: people seeing what they will in a landscape; people seeing opportunity as their opportunity; people minimizing the needs of others for their own gain; people seeing their lives as more valuable than those of others. We can value each other because we go to the same church or because we live on the same street. We can say you look like me, so you’re okay. The truth is, we all got here one way or another. Who’s to say who is better than anyone else?”

15" x 22.75" Broadsheet, Cold Offset Press, Full Color / BW.

Printed by Linco Printing.

Archive photos by Mikola Accuardi.